Ko-Imari/jv: Difference between revisions

From Global Knowledge Compendium of Traditional Crafts and Artisanal Techniques
Created page with "== Ekspor lan Resepsi Eropa =="
Created page with "Nalika kabeh ware Ko-Imari minangka bagean saka kategori Imari ware, ora kabeh ware Imari dianggep Ko-Imari. Bedane utamane ing umur, gaya, lan tujuane. Ko-Imari khusus nuduhake periode paling wiwitan, ditondoi dening energi dinamis, orientasi ekspor, lan permukaan sing dihias kanthi apik."
 
Line 26: Line 26:
== Ekspor lan Resepsi Eropa ==
== Ekspor lan Resepsi Eropa ==


<div lang="en" dir="ltr" class="mw-content-ltr">
Barang Ko-Imari diekspor kanthi jumlah akeh ing saindhenging abad kaping 17 lan awal abad kaping 18. Iki dadi barang mewah sing modis ing antarane elit Eropa. Ing kraton lan omah aristokrat ing Eropah, porselen Ko-Imari nghias mantelpieces, lemari, lan meja. Pabrik porselen Eropa, utamane ing Meissen lan Chantilly, wiwit ngasilake versi dhewe sing diilhami dening desain Ko-Imari.
Ko-Imari ware was exported in large quantities throughout the 17th and early 18th centuries. It became a fashionable luxury item among European elites. In palaces and aristocratic homes across Europe, Ko-Imari porcelain adorned mantelpieces, cabinets, and tables. European porcelain manufacturers, particularly in Meissen and Chantilly, began producing their own versions inspired by Ko-Imari designs.
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
<span id="Evolution_and_Transition"></span>
== Evolution and Transition ==
== Evolusi lan Transisi ==
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
Ing awal abad kaping 18, gaya Imari ware wiwit berkembang. Tukang tembikar Jepang ngembangake teknik sing luwih apik, lan gaya anyar kayata Nabeshima ware muncul, fokus ing keanggunan lan pengendalian. Istilah Ko-Imari saiki digunakake kanggo mbedakake karya-karya sing diekspor awal saka karya domestik utawa kebangkitan.
By the early 18th century, the style of Imari ware began to evolve. Japanese potters developed more refined techniques, and new styles such as Nabeshima ware emerged, focusing on elegance and restraint. The term Ko-Imari is now used to specifically distinguish these early exported works from later domestic or revival pieces.
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
<span id="Legacy"></span>
== Legacy ==
== Warisan ==
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
Ko-Imari tetep dihargai dening kolektor lan museum ing saindenging jagad. Iki dianggep minangka simbol kontribusi awal Jepang kanggo keramik global lan karya master saka pengerjaan jaman Edo. Desain sing cetha lan prestasi teknis Ko-Imari terus menehi inspirasi kanggo seniman keramik Jepang tradisional lan kontemporer.
Ko-Imari remains highly valued by collectors and museums worldwide. It is considered a symbol of Japan’s early contribution to global ceramics and a masterwork of Edo-period craftsmanship. The vivid designs and technical achievements of Ko-Imari continue to inspire both traditional and contemporary Japanese ceramic artists.
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
<span id="Relationship_to_Imari_Ware"></span>
== Relationship to Imari Ware ==
== Hubungan karo Imari Ware ==
</div>


<div lang="en" dir="ltr" class="mw-content-ltr">
Nalika kabeh ware Ko-Imari minangka bagean saka kategori Imari ware, ora kabeh ware Imari dianggep Ko-Imari. Bedane utamane ing umur, gaya, lan tujuane. Ko-Imari khusus nuduhake periode paling wiwitan, ditondoi dening energi dinamis, orientasi ekspor, lan permukaan sing dihias kanthi apik.
While all Ko-Imari ware is part of the broader category of Imari ware, not all Imari ware is considered Ko-Imari. The distinction lies primarily in the age, style, and purpose. Ko-Imari specifically refers to the earliest period, characterized by its dynamic energy, export orientation, and richly decorated surfaces.
</div>
[[Category:Japan]]
[[Category:Japan]]
[[Category:Japanese pottery]]
[[Category:Japanese pottery]]

Latest revision as of 04:47, 18 July 2025

Ko-Imari

Ko-Imari ware from the Edo period

Ko-Imari (secara harfiah Imari Lawas) nuduhake gaya paling wiwitan lan paling apik saka barang Imari Jepang sing diprodhuksi utamane ing abad kaping 17. Porselen iki digawe ing kutha Arita lan diekspor saka pelabuhan cedhak Imari, sing menehi jeneng barang kasebut. Ko-Imari utamané misuwur kanggo gaya dekoratif dinamis lan pinunjul sajarah ing awal perdagangan porselen global.

Latar Belakang Sejarah

Ko-Imari ware muncul ing awal jaman Edo, watara taun 1640-an, sawisé ditemokaké lempung porselen ing wilayah Arita. Dipengaruhi wiwitan dening porselen biru-putih Cina, tukang tembikar Jepang wiwit ngembangake identitas gayane dhewe. Nalika ekspor porselen China mudhun amarga tibane Dinasti Ming, porselen Jepang wiwit ngisi celah ing pasar internasional, utamane liwat perdagangan karo Perusahaan Hindia Timur Walanda.

Fitur Utama

Kualitas khas Ko-Imari kalebu:

  • Desain kandel lan warni, biasane nggabungake underglaze biru kobalt karo enamel overglaze kanthi warna abang, ijo, lan emas.
  • Hiasan sing padhet lan simetris nutupi meh kabeh permukaan, asring diterangake minangka hiasan utawa malah mewah.
  • Motif kayata krisan, peony, phoenix, naga, lan ombak utawa awan sing digayakake.
  • Badan porselen kandel dibandhingake mengko, potongan luwih olahan.

Ko-Imari ware ora dimaksudake mung kanggo panggunaan domestik. Akeh potongan sing disesuaikan karo selera Eropa, kalebu piring gedhe, vas, lan garniture kanggo dipamerake.

Ekspor lan Resepsi Eropa

Barang Ko-Imari diekspor kanthi jumlah akeh ing saindhenging abad kaping 17 lan awal abad kaping 18. Iki dadi barang mewah sing modis ing antarane elit Eropa. Ing kraton lan omah aristokrat ing Eropah, porselen Ko-Imari nghias mantelpieces, lemari, lan meja. Pabrik porselen Eropa, utamane ing Meissen lan Chantilly, wiwit ngasilake versi dhewe sing diilhami dening desain Ko-Imari.

Evolusi lan Transisi

Ing awal abad kaping 18, gaya Imari ware wiwit berkembang. Tukang tembikar Jepang ngembangake teknik sing luwih apik, lan gaya anyar kayata Nabeshima ware muncul, fokus ing keanggunan lan pengendalian. Istilah Ko-Imari saiki digunakake kanggo mbedakake karya-karya sing diekspor awal saka karya domestik utawa kebangkitan.

Warisan

Ko-Imari tetep dihargai dening kolektor lan museum ing saindenging jagad. Iki dianggep minangka simbol kontribusi awal Jepang kanggo keramik global lan karya master saka pengerjaan jaman Edo. Desain sing cetha lan prestasi teknis Ko-Imari terus menehi inspirasi kanggo seniman keramik Jepang tradisional lan kontemporer.

Hubungan karo Imari Ware

Nalika kabeh ware Ko-Imari minangka bagean saka kategori Imari ware, ora kabeh ware Imari dianggep Ko-Imari. Bedane utamane ing umur, gaya, lan tujuane. Ko-Imari khusus nuduhake periode paling wiwitan, ditondoi dening energi dinamis, orientasi ekspor, lan permukaan sing dihias kanthi apik.